Category: THE GARDEN. AS ARCHITECTURE

Courtyards (Ting) Versus Gardens

An overall look at the compositional structure of the Beijing siheyuan and Huizhou dwellings, along with doc­umentation from surveys into various Huizhou customs indicates that while the siheyuan may be their prototype, Huizhou dwellings formed independently in response to central China’s Jiangnan climate. The tianjing is a particularly good example of an adap­tive feature that […]

Private Space: Woshi

Facing out on the tianjing, woshi form insular private spaces. Woshi floors are wooden, but shoes are not removed before entering. Whether the overall residential complex is large or small, all woshi are a standard three-by-five to three-by-six meters (9.8-by-16.4 to 9.8-by-19.6 feet) in area, regardless of the resident’s generational standing, wealth, or other individ­ual […]

Lifestyle: Hierarchal Private/Communal Composition

According to a Chinese proverb, the cohabitation of “five generations under one roof’ brings good fortune. Traditional Chinese collective residential complexes are a hierarchical­ly-arranged series of discrete spaces for each generation, which serve at the same time to link the various genera­tions. The architectural composition clearly and simply positions each nuclear family in a specific […]

Climatic Influences

Beijing is located at a latitude of forty degrees north, and Hefei, the capital of Anhui Province, at thirty degrees, which corresponds to the significant difference in Japan between Morioka in temperate northern Honshu, with its severe winters, and Yakushima, a subtropical island south of Kyushu. Hefei has a fairly acute seasonal temperature fluctuation, averaging […]

Coexisting “Unworldly” and “Mundane” Worlds

Traditional Chinese Dwellings T he Han race, China’s racial majority, and the numer­ous other racial minorities that are scattered across the vast mainland formed distinctive residences in accor­dance with their respective climatic conditions, economic circumstances, and ethnic customs. For the most part, these diverse vernacular dwellings are closed and intro­verted in composition. “Qing-ming shang-he tu” […]

. Combined Shoin! Sukiya! Soan Structures: Miegakure Linking Qualitatively Distinct Buildings and Gardens

After the death of Rikyu in the late sixteenth century, the emergence of the sukiya-zukuri architectural style led to a new shoin + sukiya + soan arrangement, which combined buildings and gardens of these three styles into a single linked structure. Positioned between the large, magnificent shoin, with its formalized decorative accoutrements denoting high status, […]